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This collection feature three classic films starring screen legend Barbara Stanwyck. INTERNES CAN’T TAKE MONEY (1937) – Young Dr. James Kildare (Joel McCrea, Four Faces West), interning at a clinic, falls for his patient Janet Haley (Barbara Stanwyck, Witness to Murder). The feeling is mutual, but Janet has a secret she will not divulge: She’s the widow of a bank robber who hid their daughter before he died and she is desperately trying to find the little girl. She will use anyone—including Dr. Kildare—to get her child back. The doctor’s association with gangster Hanlon (Lloyd Nolan, The House on 92nd Street), whose injuries Kildare secretly patched up, and Janet’s connection with gangster Innes (Stanley Ridges, Black Friday), who’s helping her find her daughter, bring it all to a rousing head filled with action, suspense and the unexpected! Stylishly directed by Alfred Santell (Breakfast for Two), Internes Can’t Take Money was the third of six films co-starring Stanwyck and McCrea and the only Dr. Kildare film produced by Paramount. The Max Brand-created character was picked up by MGM for a series of successful movies from 1938 to 1942 starring Lew Ayres as Kildare. THE GREAT MAN’S LADY (1942) – From William A. Wellman, the legendary director of Wings, Beau Geste, Nothing Sacred, The Ox-Bow Incident, Yellow Sky and The High and the Mighty, comes this romantic western-drama starring screen icons Barbara Stanwyck (All I Desire) and Joel McCrea (The Virginian). After Hoyt City dedicates a statue to its founder Ethan Hoyt (McCrea), the woman who inspired his achievement, the 109-year-old Hannah Sempler (Stanwyck), tells their story to a young biographer. She begins with their elopement in 1848 when she was a headstrong Philadelphia girl of 16 and Ethan was an idealist yearning to build a city in the West. Their future was fraught with difficulties, from life in a prairie shack to a fruitless search for gold and, ultimately, to Ethan’s jealousy over Hannah’s friendship with gambler Steely Edwards (Brian Donlevy, Canyon Passage). Through it all, she remained what she is today: the woman who sacrificed everything for her husband’s sake. Filled with action and humor, this moving film was vigorously directed by Wellman and beautifully shot by the great William C. Mellor (A Place in the Sun). THE BRIDE WORE BOOTS (1946) – From Irving Pichel, the acclaimed director of Tomorrow Is Forever, O.S.S., Something in the Wind, The Miracle of the Bells, Quicksand and Destination Moon, comes this comedy of errors about a bookish husband trying to win back the affections of his horse-breeding wife. Screen legend Barbara Stanwyck (There’s Always Tomorrow) stars as southern heiress Sally Warren, who loves everything to do with horseracing. Her studious husband, Jeff (Robert Cummings, The Chase), cannot stand the creatures and would rather spend his time writing. When their incompatibilities land them in divorce court, it will take a little imagination and a lot of luck to restore the love in their hilariously mismatched relationship. The Bride Wore Boots features a stellar cast that includes a young Natalie Wood (Driftwood), Diana Lynn (The Kentuckian) and the great Robert Benchley (Road to Utopia). Special Features: -NEW Audio Commentary by Film Historian Dr. Eloise Ross (Internes Can't Take Money) -NEW Audio Commentary by Film Historian Dr. Eloise Ross (The Great Man's Lady) -Optional English Subtitles -The Great Man's Lady (Theatrical Trailer) -The Bride Wore Boots (Theatrical Trailer)

$6.99

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This collection feature three classic films starring screen legend Barbara Stanwyck. INTERNES CAN’T TAKE MONEY (1937) – Young Dr. James Kildare (Joel McCrea, Four Faces West), interning at a clinic, falls for his patient Janet Haley (Barbara Stanwyck, Witness to Murder). The feeling is mutual, but Janet has a secret she will not divulge: She’s the widow of a bank robber who hid their daughter before he died and she is desperately trying to find the little girl. She will use anyone—including Dr. Kildare—to get her child back. The doctor’s association with gangster Hanlon (Lloyd Nolan, The House on 92nd Street), whose injuries Kildare secretly patched up, and Janet’s connection with gangster Innes (Stanley Ridges, Black Friday), who’s helping her find her daughter, bring it all to a rousing head filled with action, suspense and the unexpected! Stylishly directed by Alfred Santell (Breakfast for Two), Internes Can’t Take Money was the third of six films co-starring Stanwyck and McCrea and the only Dr. Kildare film produced by Paramount. The Max Brand-created character was picked up by MGM for a series of successful movies from 1938 to 1942 starring Lew Ayres as Kildare. THE GREAT MAN’S LADY (1942) – From William A. Wellman, the legendary director of Wings, Beau Geste, Nothing Sacred, The Ox-Bow Incident, Yellow Sky and The High and the Mighty, comes this romantic western-drama starring screen icons Barbara Stanwyck (All I Desire) and Joel McCrea (The Virginian). After Hoyt City dedicates a statue to its founder Ethan Hoyt (McCrea), the woman who inspired his achievement, the 109-year-old Hannah Sempler (Stanwyck), tells their story to a young biographer. She begins with their elopement in 1848 when she was a headstrong Philadelphia girl of 16 and Ethan was an idealist yearning to build a city in the West. Their future was fraught with difficulties, from life in a prairie shack to a fruitless search for gold and, ultimately, to Ethan’s jealousy over Hannah’s friendship with gambler Steely Edwards (Brian Donlevy, Canyon Passage). Through it all, she remained what she is today: the woman who sacrificed everything for her husband’s sake. Filled with action and humor, this moving film was vigorously directed by Wellman and beautifully shot by the great William C. Mellor (A Place in the Sun). THE BRIDE WORE BOOTS (1946) – From Irving Pichel, the acclaimed director of Tomorrow Is Forever, O.S.S., Something in the Wind, The Miracle of the Bells, Quicksand and Destination Moon, comes this comedy of errors about a bookish husband trying to win back the affections of his horse-breeding wife. Screen legend Barbara Stanwyck (There’s Always Tomorrow) stars as southern heiress Sally Warren, who loves everything to do with horseracing. Her studious husband, Jeff (Robert Cummings, The Chase), cannot stand the creatures and would rather spend his time writing. When their incompatibilities land them in divorce court, it will take a little imagination and a lot of luck to restore the love in their hilariously mismatched relationship. The Bride Wore Boots features a stellar cast that includes a young Natalie Wood (Driftwood), Diana Lynn (The Kentuckian) and the great Robert Benchley (Road to Utopia). Special Features: -NEW Audio Commentary by Film Historian Dr. Eloise Ross (Internes Can't Take Money) -NEW Audio Commentary by Film Historian Dr. Eloise Ross (The Great Man's Lady) -Optional English Subtitles -The Great Man's Lady (Theatrical Trailer) -The Bride Wore Boots (Theatrical Trailer)

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The multifaceted, deeply personal work of Eric Rohmer has had an effect on cinema unlike any other. One of the founding critics of the history-making Cahiers du cinéma, Rohmer began translating his written manifestos to film in the 1960s, standing apart from his New Wave contemporaries with his patented brand of gently existential, hyperarticulate character studies set against vivid seasonal landscapes. This near genre unto itself was established with the audacious and wildly influential series Six Moral Tales. A succession of encounters between fragile men and the women who tempt them, Six Moral Tales unleashed on the film world a new voice, one that was at once sexy, philosophical, modern, daring, nonjudgmental, and liberating. THREE-BLU-RAY SPECIAL EDITION FEATURES • New 2K digital restorations, with uncompressed monaural soundtracks • Conversation between director Eric Rohmer and filmmaker Barbet Schroeder from 2006 • Four short films by Rohmer—Presentation, or Charlotte and Her Steak (shot in 1951 and completed in 1961); Véronique and Her Dunce (1958); Nadja in Paris (1964); A Modern Coed (1966)—and one on which he advised, The Curve (1999) • “On Pascal,” a 1965 episode of the educational TV series En profil dans le texte directed by Rohmer, on the French philosopher Blaise Pascal, the subject of debate in My Night at Maud’s • Archival interviews with Rohmer; actors Jean-Claude Brialy, Béatrice Romand, Laurence de Monaghan, and Jean--Louis Trintignant; film critic Jean Douchet; and producer Pierre Cottrell • Video afterword from 2006 by filmmaker and writer Neil LaBute • Trailers • PLUS: A booklet featuring essays by critics Geoff Andrew, Ginette Vincendeau, Phillip Lopate, Kent Jones, Molly Haskell, and Armond White; excerpts from cinematographer Nestor Almendros’s 1980 autobiography; and Rohmer’s landmark 1948 essay “For a Talking Cinema”; along with an English translation of Six Moral Tales, the book of stories by Rohmer on which the films are based THE BAKERY GIRL OF MONCEAU Delicate and jazzy, The Bakery Girl of Monceau, the first entry in the Six Moral Tales series, evinces stirrings of what would become the Eric Rohmer style: unfussy naturalistic shooting, ironic first-person voice-over, and an “unknowable” woman. A law student (played by producer and future director Barbet Schroeder) with a roving eye and a large appetite stuffs himself with sugary pastries daily in order to gain the affection of a pretty brunette who works in a quaint Paris bakery. But is he truly interested, or is she just a sweet diversion? SUZANNE’S CAREER Bertrand bides his time in a casually hostile and envious friendship with Guillaume. But when Guillaume seems to be making a play for the spirited, independent Suzanne, Bertrand watches dis-approvingly. With its ragged black-and-white 16 mm photography and strong sense of 1960s Paris, Suzanne’s Career, the second of Eric Rohmer’s Six Moral Tales, is a wonderfully evocative portrait of youthful naivete and the complicated bonds of friendship and romance. MY NIGHT AT MAUD’S In My Night at Maud’s, the brilliantly accomplished centerpiece of the Six Moral Tales series, Jean-Louis Trintignant plays Jean-Louis, one of the great conflicted figures of 1960s cinema. A Catholic engineer in his early thirties, he lives by a strict moral code and immerses himself in mathematics and the philosophy of Blaise Pascal. After spotting the delicate Françoise at Mass, he vows to make her his wife, although when he spends an unplanned night at the apartment of the bold divorcée Maud, his rigid standards are challenged. LA COLLECTIONNEUSE A bombastic, womanizing art dealer and his painter friend go to a seventeenth-century villa on the Riviera for a relaxing summer getaway. But their idyll is disturbed by the presence of the bohemian Haydée, accused of being a “collector” of men. Eric Rohmer’s first color film, La collectionneuse pushes Six Moral Tales into new, darker realms while showcasing the clever, delectably ironic battle-of-the-sexes repartee (in a script written by Rohmer and the three main actors) and effortlessly luscious Nestor Almendros photography that would define the remainder of the series. CLAIRE’S KNEE “Why would I tie myself to one woman?” asks Jerôme in Claire’s Knee, though he plans to marry a diplomat’s daughter by summer’s end. He spends his July at a lakeside boardinghouse, nursing crushes on the sixteen-year-old Laura and, more tantalizingly, her long-legged, blonde, older half sister, Claire. Baring her knee on a ladder under a blooming cherry tree, Claire unwittingly incites a moral crisis for Jerôme while creating an image that is both the iconic emblem of Eric Rohmer’s Six Moral Tales and one of French cinema’s most enduring moments. LOVE IN THE AFTERNOON Though happily married to the adoring Hélène and expecting a second child with her, the thoroughly bourgeois executive Frédéric cannot banish from his mind the attractive Paris women he sees every day. His flirtations and fantasies remain harmless until the appearance at his office of Chloé, an audacious, unencumbered old flame played by the mesmerizing Zouzou. Love in the Afternoon, the luminous final chapter in Eric Rohmer’s Six Moral Tales, is a tender, sobering, and wholly adult affair that leads to perhaps the most overwhelmingly emotional moment in the entire series. Top About this item Similar From the Brand Reviews Six Moral Tales (The Bakery Girl of Monceau / Suzanne’s Career / My Night at Maud’s / La collectionneuse / Claire’s Knee / Love in the Afternoon) (The Criterion Collection) [Blu-ray]

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The multifaceted, deeply personal work of Eric Rohmer has had an effect on cinema unlike any other. One of the founding critics of the history-making Cahiers du cinéma, Rohmer began translating his written manifestos to film in the 1960s, standing apart from his New Wave contemporaries with his patented brand of gently existential, hyperarticulate character studies set against vivid seasonal landscapes. This near genre unto itself was established with the audacious and wildly influential series Six Moral Tales. A succession of encounters between fragile men and the women who tempt them, Six Moral Tales unleashed on the film world a new voice, one that was at once sexy, philosophical, modern, daring, nonjudgmental, and liberating. THREE-BLU-RAY SPECIAL EDITION FEATURES • New 2K digital restorations, with uncompressed monaural soundtracks • Conversation between director Eric Rohmer and filmmaker Barbet Schroeder from 2006 • Four short films by Rohmer—Presentation, or Charlotte and Her Steak (shot in 1951 and completed in 1961); Véronique and Her Dunce (1958); Nadja in Paris (1964); A Modern Coed (1966)—and one on which he advised, The Curve (1999) • “On Pascal,” a 1965 episode of the educational TV series En profil dans le texte directed by Rohmer, on the French philosopher Blaise Pascal, the subject of debate in My Night at Maud’s • Archival interviews with Rohmer; actors Jean-Claude Brialy, Béatrice Romand, Laurence de Monaghan, and Jean--Louis Trintignant; film critic Jean Douchet; and producer Pierre Cottrell • Video afterword from 2006 by filmmaker and writer Neil LaBute • Trailers • PLUS: A booklet featuring essays by critics Geoff Andrew, Ginette Vincendeau, Phillip Lopate, Kent Jones, Molly Haskell, and Armond White; excerpts from cinematographer Nestor Almendros’s 1980 autobiography; and Rohmer’s landmark 1948 essay “For a Talking Cinema”; along with an English translation of Six Moral Tales, the book of stories by Rohmer on which the films are based THE BAKERY GIRL OF MONCEAU Delicate and jazzy, The Bakery Girl of Monceau, the first entry in the Six Moral Tales series, evinces stirrings of what would become the Eric Rohmer style: unfussy naturalistic shooting, ironic first-person voice-over, and an “unknowable” woman. A law student (played by producer and future director Barbet Schroeder) with a roving eye and a large appetite stuffs himself with sugary pastries daily in order to gain the affection of a pretty brunette who works in a quaint Paris bakery. But is he truly interested, or is she just a sweet diversion? SUZANNE’S CAREER Bertrand bides his time in a casually hostile and envious friendship with Guillaume. But when Guillaume seems to be making a play for the spirited, independent Suzanne, Bertrand watches dis-approvingly. With its ragged black-and-white 16 mm photography and strong sense of 1960s Paris, Suzanne’s Career, the second of Eric Rohmer’s Six Moral Tales, is a wonderfully evocative portrait of youthful naivete and the complicated bonds of friendship and romance. MY NIGHT AT MAUD’S In My Night at Maud’s, the brilliantly accomplished centerpiece of the Six Moral Tales series, Jean-Louis Trintignant plays Jean-Louis, one of the great conflicted figures of 1960s cinema. A Catholic engineer in his early thirties, he lives by a strict moral code and immerses himself in mathematics and the philosophy of Blaise Pascal. After spotting the delicate Françoise at Mass, he vows to make her his wife, although when he spends an unplanned night at the apartment of the bold divorcée Maud, his rigid standards are challenged. LA COLLECTIONNEUSE A bombastic, womanizing art dealer and his painter friend go to a seventeenth-century villa on the Riviera for a relaxing summer getaway. But their idyll is disturbed by the presence of the bohemian Haydée, accused of being a “collector” of men. Eric Rohmer’s first color film, La collectionneuse pushes Six Moral Tales into new, darker realms while showcasing the clever, delectably ironic battle-of-the-sexes repartee (in a script written by Rohmer and the three main actors) and effortlessly luscious Nestor Almendros photography that would define the remainder of the series. CLAIRE’S KNEE “Why would I tie myself to one woman?” asks Jerôme in Claire’s Knee, though he plans to marry a diplomat’s daughter by summer’s end. He spends his July at a lakeside boardinghouse, nursing crushes on the sixteen-year-old Laura and, more tantalizingly, her long-legged, blonde, older half sister, Claire. Baring her knee on a ladder under a blooming cherry tree, Claire unwittingly incites a moral crisis for Jerôme while creating an image that is both the iconic emblem of Eric Rohmer’s Six Moral Tales and one of French cinema’s most enduring moments. LOVE IN THE AFTERNOON Though happily married to the adoring Hélène and expecting a second child with her, the thoroughly bourgeois executive Frédéric cannot banish from his mind the attractive Paris women he sees every day. His flirtations and fantasies remain harmless until the appearance at his office of Chloé, an audacious, unencumbered old flame played by the mesmerizing Zouzou. Love in the Afternoon, the luminous final chapter in Eric Rohmer’s Six Moral Tales, is a tender, sobering, and wholly adult affair that leads to perhaps the most overwhelmingly emotional moment in the entire series. Top About this item Similar From the Brand Reviews Six Moral Tales (The Bakery Girl of Monceau / Suzanne’s Career / My Night at Maud’s / La collectionneuse / Claire’s Knee / Love in the Afternoon) (The Criterion Collection) [Blu-ray]

$7.99

Description

The multifaceted, deeply personal work of Eric Rohmer has had an effect on cinema unlike any other. One of the founding critics of the history-making Cahiers du cinéma, Rohmer began translating his written manifestos to film in the 1960s, standing apart from his New Wave contemporaries with his patented brand of gently existential, hyperarticulate character studies set against vivid seasonal landscapes. This near genre unto itself was established with the audacious and wildly influential series Six Moral Tales. A succession of encounters between fragile men and the women who tempt them, Six Moral Tales unleashed on the film world a new voice, one that was at once sexy, philosophical, modern, daring, nonjudgmental, and liberating. THREE-BLU-RAY SPECIAL EDITION FEATURES • New 2K digital restorations, with uncompressed monaural soundtracks • Conversation between director Eric Rohmer and filmmaker Barbet Schroeder from 2006 • Four short films by Rohmer—Presentation, or Charlotte and Her Steak (shot in 1951 and completed in 1961); Véronique and Her Dunce (1958); Nadja in Paris (1964); A Modern Coed (1966)—and one on which he advised, The Curve (1999) • “On Pascal,” a 1965 episode of the educational TV series En profil dans le texte directed by Rohmer, on the French philosopher Blaise Pascal, the subject of debate in My Night at Maud’s • Archival interviews with Rohmer; actors Jean-Claude Brialy, Béatrice Romand, Laurence de Monaghan, and Jean--Louis Trintignant; film critic Jean Douchet; and producer Pierre Cottrell • Video afterword from 2006 by filmmaker and writer Neil LaBute • Trailers • PLUS: A booklet featuring essays by critics Geoff Andrew, Ginette Vincendeau, Phillip Lopate, Kent Jones, Molly Haskell, and Armond White; excerpts from cinematographer Nestor Almendros’s 1980 autobiography; and Rohmer’s landmark 1948 essay “For a Talking Cinema”; along with an English translation of Six Moral Tales, the book of stories by Rohmer on which the films are based THE BAKERY GIRL OF MONCEAU Delicate and jazzy, The Bakery Girl of Monceau, the first entry in the Six Moral Tales series, evinces stirrings of what would become the Eric Rohmer style: unfussy naturalistic shooting, ironic first-person voice-over, and an “unknowable” woman. A law student (played by producer and future director Barbet Schroeder) with a roving eye and a large appetite stuffs himself with sugary pastries daily in order to gain the affection of a pretty brunette who works in a quaint Paris bakery. But is he truly interested, or is she just a sweet diversion? SUZANNE’S CAREER Bertrand bides his time in a casually hostile and envious friendship with Guillaume. But when Guillaume seems to be making a play for the spirited, independent Suzanne, Bertrand watches dis-approvingly. With its ragged black-and-white 16 mm photography and strong sense of 1960s Paris, Suzanne’s Career, the second of Eric Rohmer’s Six Moral Tales, is a wonderfully evocative portrait of youthful naivete and the complicated bonds of friendship and romance. MY NIGHT AT MAUD’S In My Night at Maud’s, the brilliantly accomplished centerpiece of the Six Moral Tales series, Jean-Louis Trintignant plays Jean-Louis, one of the great conflicted figures of 1960s cinema. A Catholic engineer in his early thirties, he lives by a strict moral code and immerses himself in mathematics and the philosophy of Blaise Pascal. After spotting the delicate Françoise at Mass, he vows to make her his wife, although when he spends an unplanned night at the apartment of the bold divorcée Maud, his rigid standards are challenged. LA COLLECTIONNEUSE A bombastic, womanizing art dealer and his painter friend go to a seventeenth-century villa on the Riviera for a relaxing summer getaway. But their idyll is disturbed by the presence of the bohemian Haydée, accused of being a “collector” of men. Eric Rohmer’s first color film, La collectionneuse pushes Six Moral Tales into new, darker realms while showcasing the clever, delectably ironic battle-of-the-sexes repartee (in a script written by Rohmer and the three main actors) and effortlessly luscious Nestor Almendros photography that would define the remainder of the series. CLAIRE’S KNEE “Why would I tie myself to one woman?” asks Jerôme in Claire’s Knee, though he plans to marry a diplomat’s daughter by summer’s end. He spends his July at a lakeside boardinghouse, nursing crushes on the sixteen-year-old Laura and, more tantalizingly, her long-legged, blonde, older half sister, Claire. Baring her knee on a ladder under a blooming cherry tree, Claire unwittingly incites a moral crisis for Jerôme while creating an image that is both the iconic emblem of Eric Rohmer’s Six Moral Tales and one of French cinema’s most enduring moments. LOVE IN THE AFTERNOON Though happily married to the adoring Hélène and expecting a second child with her, the thoroughly bourgeois executive Frédéric cannot banish from his mind the attractive Paris women he sees every day. His flirtations and fantasies remain harmless until the appearance at his office of Chloé, an audacious, unencumbered old flame played by the mesmerizing Zouzou. Love in the Afternoon, the luminous final chapter in Eric Rohmer’s Six Moral Tales, is a tender, sobering, and wholly adult affair that leads to perhaps the most overwhelmingly emotional moment in the entire series. Top About this item Similar From the Brand Reviews Six Moral Tales (The Bakery Girl of Monceau / Suzanne’s Career / My Night at Maud’s / La collectionneuse / Claire’s Knee / Love in the Afternoon) (The Criterion Collection) [Blu-ray]

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Next Of Kin (BD) Patrick Swayze ("Dirty Dancing," "Ghost") stars in this hit action-packed film as a dedicated Chicago cop with roots deeply embedded in the Appalachian backwoods. When the mob cruelly inflicts tragedy on his family, he is forced to put his loyalties to the test, and a violent clash of clans results. Co-starring Academy Award-nominees Liam Neeson ("Nell," "Schindler's List") and Michael J. Pollard ("Bonnie and Clyde"), Ben Stiller ("There's Something About Mary"), Adam Baldwin ("Wyatt Earp"), and "Twister" stars Golden Globe-nominee Bill Paxton ("A Simple Plan," "Titanic") and Oscar, Emmy and Golden Globe-winner Helen Hunt ("As Good As It Gets," "Mad About You").

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Detective Sergeant Nancy Devlin (Karla Crome, Under the Dome, Prisoners' Wives) is a good cop with a dark secret: she's loyal to drug trafficker Frank Le Saux (Philip Glenister, Life on Mars, Ashes to Ashes), who is like a father to her. But when their clandestine meeting turns violent, leaving Frank dead and Nancy with a bullet wound, Nancy fears her double life may soon be exposed.

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After a year away from home, disgraced physician Jim Hogan (BAFTA nominee Adrian Dunbar, Line of Duty) returns to make amends with his family. With nowhere else to go, he turns to his dutiful but ailing eldest daughter, Fiona (Gráinne Keenan, Black Mirror: White Christmas), and her cash-strapped husband, Paul (Ian Lloyd Anderson, Love/Hate). Then, one night, Fiona’s car veers off the road into a canal, leading to a disturbing discovery. As the police start investigating, shocking secrets emerge that deepen the rift within the family and derail Jim’s chance at a fresh start. With “exemplary” (Irish Independent) performances, this “twisty-turner thriller” (Digital Spy) explores how love and grief can blind people to the truth.

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After a year away from home, disgraced physician Jim Hogan (BAFTA nominee Adrian Dunbar, Line of Duty) returns to make amends with his family. With nowhere else to go, he turns to his dutiful but ailing eldest daughter, Fiona (Gráinne Keenan, Black Mirror: White Christmas), and her cash-strapped husband, Paul (Ian Lloyd Anderson, Love/Hate). Then, one night, Fiona’s car veers off the road into a canal, leading to a disturbing discovery. As the police start investigating, shocking secrets emerge that deepen the rift within the family and derail Jim’s chance at a fresh start. With “exemplary” (Irish Independent) performances, this “twisty-turner thriller” (Digital Spy) explores how love and grief can blind people to the truth.

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BAFTA nominee Adrian Dunbar (Line of Duty) is “chilling” (Irish Examiner) in this “gripping…intense psychological drama” (Irish Mirror) about the lies that can fracture a family. Loner Cat Hogan (Carolina Main, Unforgotten) returns to her hometown following the sudden death of her mother. But when details about the accident don’t add up, Cat suspects her father (Dunbar), a well-respected doctor she has distrusted ever since a childhood trauma. Did he have a hand in her mother’s passing, or is Cat really the troublemaker her siblings perceive her to be? As she sets out to find the truth, Cat uncovers secrets long buried and risks destroying what’s left of her family ties.

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BAFTA nominee Adrian Dunbar (Line of Duty) is “chilling” (Irish Examiner) in this “gripping…intense psychological drama” (Irish Mirror) about the lies that can fracture a family. Loner Cat Hogan (Carolina Main, Unforgotten) returns to her hometown following the sudden death of her mother. But when details about the accident don’t add up, Cat suspects her father (Dunbar), a well-respected doctor she has distrusted ever since a childhood trauma. Did he have a hand in her mother’s passing, or is Cat really the troublemaker her siblings perceive her to be? As she sets out to find the truth, Cat uncovers secrets long buried and risks destroying what’s left of her family ties.

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Following his parents’ separation, a rebellious teenage boy, Ben, is sent to live with his father for the summer and work at the local marina in order to gain some form of discipline. The idyllic tourist town offers little solace for him, however, as he is forced to deal with the local, privileged teens and his father’s new girlfriend. Ben’s problems grow increasingly disturbing when he makes a chilling discovery about the family renting the house next door. A malevolent spirit from the woods has taken a hold of the parents and starts playing a sinister game of house, preying upon the children and wiping away any trace of their existence. Ben’s suspicions of the supernatural horrors go unheeded and he launches a perilous crusade in order to put an end to the skin-walking witch’s reign of terror. Chilling and suspenseful, THE WRETCHED offers a modern update to the retro young hero’s mission like that of The Goonies, and promises to make viewers wary of every dark corner they encounter after witnessing its terrifying tale. Special Features: Commentary with The Pierce Brothers, Commentary with Composer Devin Burrows

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From executive producer Oliver Stone (Blue Steel, Freeway) comes this sexy and surreal five-part mini-series based in a neo-noir Los Angeles of the future. Harry Wyckoff (James Belushi, Retroactive, Real Men) is about to become a player in a dark and terrifying battle where everything is at stake and no one is who they seem. Directed by Kathryn Bigelow (Strange Days), Keith Gordon (A Midnight Clear), Peter Hewitt (Bill & Ted’s Bogus Journey) and Phil Joanou (State of Grace), Wild Palms is a haunting sci-fi saga of greed, treason and virtual reality. Beautifully shot by Phedon Papamichael (Ford v Ferrari), with a rousing score by Ryuichi Sakamoto (The Revenant) and an all-star cast that includes Dana Delany (Exit to Eden), Robert Loggia (Lost Highway), Kim Cattrall (Unforgettable), Angie Dickinson (Dressed to Kill), Ernie Hudson (The Crow), Bebe Neuwirth (Malice), Nick Mancuso (Rapid Fire), David Warner (Morgan!), Ben Savage (TV’s Boy Meets World), Bob Gunton (The Shawshank Redemption), Robert Morse (The Loved One), Brad Dourif (Hidden Agenda), Charles Rocket (Miracles) and Charles Hallahan (The Thing). Special Features: -Brand New 2K Master -NEW Audio Commentary by Star James Belushi & Executive Producer/Writer/Creator Bruce Wagner (Pilot Episode: Everything Must Go) -Audio Commentary by Star Dana Delany & Executive Producer/Writer/Creator Bruce Wagner (Episode: Rising Sons) -Two NEW Audio Commentaries by Director Keith Gordon (Episodes: The Floating World & Hungry Ghosts) -NEW Audio Commentary by Director Phil Joanou (Episode: Hello, I Must Be Going) -Optional English Subtitles -Dual-Layered BD50 Disc

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Product Description A drama written and directed by Lech Majewski and starring Josh Hartnett and John Malkovich, it entwines Navajo lore with a reclusive trillionaire and his would-be biographer, creating a fascinating, mysterious and idiosyncratic vision of America. A complex, multi-level creation, the film contrasts abundance and poverty through three separate storylines, featuring a middle-class writer (Hartnett), an eccentric trillionaire (Malkovich), and a struggling Navajo community. Post-divorce, copywriter John Ecas undertakes the biography of the richest man on earth, who is dead-set on mining scared lands for uranium. When modern advance runs afoul of long-dormant guardians from ancient legend, even the most unimaginable wealth may soon meet it's match. Review "a complex, multi-level creation" --Film See more

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Annie is a bar owner on the brink of bankruptcy when her delinquent brother shows up with a lucrative offer in hand; a gold heist worth half a million dollars. She agrees despite their turbulent family history - and the fact that she's dating a cop. After several colossal missteps, Ben, Annie, and a few of their cohorts must dodge bullets and blades from the gold-mining backwoods brothers they rooked.

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Set in the dazzling world of the LA music scene comes the story of Grace Davis (Tracee Ellis Ross), a superstar whose talent, and ego, have reached unbelievable heights, and Maggie (Dakota Johnson), her overworked personal assistant. While stuck running errands, Maggie still aspires to her childhood dream of becoming a music producer. When Grace's manager (Ice Cube) presents her with a choice that could alter the course of her career, Maggie and Grace come up with a plan that could change their lives forever. Bonus Content: Includes Blu-ray, DVD and a digital copy of The High Note (Subject to expiration. Go to NBCUCodes.com for details.) Deleted/Alternate/Extended Scenes The Dream Team: Inside the Creation of The High Note Making a Legend: The Grace Davis Story Like I Do: Original Song Music Video

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Johanna Morrigan (Beanie Feldstein) is a bright, quirky, 16-year-old who uses her colorful imagination to regularly escape her humdrum life in Wolverhampton and live out her creative fantasies. Desperate to break free from the overcrowded flat she shares with her four brothers and eccentric parents, she submits an earnestly penned and off-beat music review to a group of self-important indie rock critics at a weekly magazine. Despite being brushed off initially, Johanna clamors to the top of the 90s rock music scene by reinventing herself as Dolly Wilde – a venerable, impossible-to-please music critic with an insatiable lust for fame, fortune, and men. It isn’t long before the rapid pace at which Johanna’s life is changing becomes overwhelming and she runs face-first into a devastatingly real, existential crisis: Is this the type of girl she wants to become? Or does she need to start over and build again from the ground up? Based on the best-selling novel by Caitlin Moran, How to Build a Girl is a sassy, sexy, and a profoundly touching coming-of-age comedy that traces the rocky road to womanhood through the lens of a unique and wildly hilarious protagonist. Co-starring Alfie Allen, Paddy Consindine, Chris O’Dowd, and Emma Thompson.

$6.99

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Inuyasha Set 2 (BD) Together with their friends Miroku, Shippo, Sango and Kirara, Inuyasha and Kagome continue their search for the shards of the Sacred Jewel. Their task, however, is not made any easier by Naraku, who continually seems to be inventing newer and more dangerous ways to thwart them.

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Inuyasha Set 2 (BD) Together with their friends Miroku, Shippo, Sango and Kirara, Inuyasha and Kagome continue their search for the shards of the Sacred Jewel. Their task, however, is not made any easier by Naraku, who continually seems to be inventing newer and more dangerous ways to thwart them.

$6.99

Description

Inuyasha Set 2 (BD) Together with their friends Miroku, Shippo, Sango and Kirara, Inuyasha and Kagome continue their search for the shards of the Sacred Jewel. Their task, however, is not made any easier by Naraku, who continually seems to be inventing newer and more dangerous ways to thwart them.

$6.99

Description

Together with their friends Miroku, Shippo, Sango and Kirara, Inuyasha and Kagome continue their search for the shards of the Sacred Jewel. Their task, however, is not made any easier by Naraku, who continually seems to be inventing newer and more dangerous ways to thwart them.

$7.99

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Director Jean-Jacques Beineix (Betty Blue) launched the Cinéma du look movement with this stylish cult thriller that remains as innovative today as when it premiered in 1981. Jules (Frédéric Andréi), a young postal carrier, illegally tapes a concert of a reclusive opera singer (American soprano Wilhelmenia Wiggins Fernandez). Jules’ attempts to woo the diva are interrupted when Taiwanese bootleggers come after the recording. His problems worsen when a prostitute slips another tape, one that incriminates a police chief, into his bag. Now, Jules must escape the police chief, the cop’s henchmen and the bootleggers to keep both precious tapes safe—and to stay alive. Featuring a celebrated chase through the Paris Metro and an early appearance by Jean-Pierre Jeunet (Amélie) favorite Dominique Pinon, Diva earned César Awards for Beineix, Vladimir Cosma’s (Le Bal) sumptuous music and Philippe Rousselot’s (Henry & June) eye-popping cinematography. Special Features: -NEW Audio Commentary by Film Critic and Author Simon Abrams -Scene Specific Audio Commentary by Director Jean-Jacques Beineix -Introduction by Professor Phil Powrie (Author of JEAN-JACQUES BEINEIX) and Eric Grinda (6:20) -Interview with Composer Vladimir Cosma (10:47) -Interview with Casting Director Dominique Besnehard (7:20) -Interview with Star Frédéric Andréi (5:46) -Interview with Actors Anny Romand and Dominique Pinon (12:02) -Interview with Actor Richard Bohringer (6:53) -HOLDING GROUND with Director Jean-Jacques Beineix (11:00) -IN THE CAFÉ with Director Jean-Jacques Beineix (8:30) -Interview with Cinematographer Philippe Rousselot (6:04) -Interview with Set Designer Hilton McConnico (6:50) -Theatrical Trailer -Dual-Layered BD50 Disc -In French with Optional English Subtitles

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After being abducted by Katarina Rostova, Raymond ?Red? Reddington finds himself alone in hostile territory, forever altering his relationship with Liz.

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After being abducted by Katarina Rostova, Raymond ?Red? Reddington finds himself alone in hostile territory, forever altering his relationship with Liz.

$6.99

Description

After being abducted by Katarina Rostova, Raymond ?Red? Reddington finds himself alone in hostile territory, forever altering his relationship with Liz.

$6.99

Description

After being abducted by Katarina Rostova, Raymond ?Red? Reddington finds himself alone in hostile territory, forever altering his relationship with Liz.

$6.99

Description

After being abducted by Katarina Rostova, Raymond ?Red? Reddington finds himself alone in hostile territory, forever altering his relationship with Liz.

$6.99

Description

August Rush (BD) Separated by events they could not control but bound by love and by music, three people search for what they lost and what will make their lives complete ... each other. Keri Russell (Waitress, "Felicity"), Johathan Rhys Meyers ("The Tudors") and Freddie Highmore (Charlie and the Chocolate Family, Finding Neverland) star with Robin Williams in this amazing, heartwarming tale of two very different musicians who fall in love only to be torn apart, both unaware that they have a child, a musical prodigy who is trying to find them as much as they are trying to find each other, a boy destined for greatness as the rising young star August Rush.

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"A nightmare come true for fans of seriously scary movies!" – Joe Leydon, San Francisco Examiner What a house! It's all steel and glass and elegance – and it all belongs to Arthur Kriticos and his family as an unexpected inheritance. You could say it's their dream home. Especially if the dreams are nightmares. Awesome ectoplasmic specters populate Thirteen Ghosts, an effects-rampant remake of the 1960 William Castle haunted-house film from producers Gilbert Adler, Joel Silver and Robert Zemeckis, who conjured up the equally terrorific House On Haunted Hill (1999). Tony Shalhoub leads a cast that includes Embeth Davidtz, Matthew Lillard, Shannon Elizabeth, Rah Digga and F. Murray Abraham. The house itself is a design marvel and a mysterious puzzle-cube whose eerie corridors, sliding walls, spinning floors and phantasmic fiends may allow no escape. Bonus Content: New Interviews with TBD Audio Commentary with Director Steve Beck, Production Designer Sean Hargreaves and Special Makeup Effects Artist Howard Berger "Thirteen Ghosts Revealed" "Ghost Files" Theatrical Trailer

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Wonder Woman: The Complete Series (BD)

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Wonder Woman: The Complete Series (BD)

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Wonder Woman: The Complete Series (BD)

$6.99

Description

Wonder Woman: The Complete Series (BD)

$6.99

Description

Wonder Woman: The Complete Series (BD)

$6.99

Description

Wonder Woman: The Complete Series (BD)

$6.99

Description

Wonder Woman: The Complete Series (BD)

$6.99

Description

Wonder Woman: The Complete Series (BD)

$6.99

Description

Wonder Woman: The Complete Series (BD)

$6.99

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Wonder Woman: The Complete Series (BD)

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"***1/2! Reworking many of the themes from his previous works Repulsion and Rosemary's Baby … The Tenant proves to be another first-class effort from genre director Polanski. A must-see" – The Terror Trap An apartment with an unhappy past sets the stage for filmmaker Roman Polanski's riveting psychological suspense thriller, The Tenant. Polanski stars as Trelkovsky, a quiet, timid file clerk increasingly overshadowed with dread and fear after he moves into his new apartment. Adding to his paranoia are the building's other occupants, who do nothing to alleviate his growing obsession with the untimely, tragic fate of the apartment's previous tenant. Is Trelkovsky's dread truly justified – or is it simply the result of his seemingly disintegrating mental state? A brilliant international cast – Isabelle Adjani, Melvyn Douglas, Jo Van Fleet, Bernard Fresson and Shelley Winters – and Polanski's own penchant for delivering unprecedented suspense (Repulsion, Rosemary's Baby, Chinatown) make The Tenant a haunting, riveting film classic!

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Finding the last of the Kinship Ore has become Lute’s top priority! With help from friends and family, he’ll hone his skills as a Rider and persevere down a right-minded path. However, both Dr. Manelger and Cheval continue to cause problems for the group, and as the legend of Redan unfolds, Blighted monsters remain a constant threat to the livelihoods of those nearby. The power of Kinship is a guiding force in Lute’s fight against the Black Blight, and the tail end of a long, fun-filled adventure comes to a head!

$6.99

Description

Finding the last of the Kinship Ore has become Lute’s top priority! With help from friends and family, he’ll hone his skills as a Rider and persevere down a right-minded path. However, both Dr. Manelger and Cheval continue to cause problems for the group, and as the legend of Redan unfolds, Blighted monsters remain a constant threat to the livelihoods of those nearby. The power of Kinship is a guiding force in Lute’s fight against the Black Blight, and the tail end of a long, fun-filled adventure comes to a head!

$6.99

Description

After witnessing how infected Kinship Ore affects the land and its monsters, the Riders part ways with differing ideals—should they save the blighted Monsties or slay them? Lute and his pals learn that the Black Blight outbreak may have happened once before, so they seek out a mount fit for a prophetic hero. But their quest won’t be that simple—Dr. Manelger has dastardly plans that will test the very meaning of Kinship. Even in times of struggle, though, there’s room for fun, friends, and donuts! Top

$6.99

Description

After witnessing how infected Kinship Ore affects the land and its monsters, the Riders part ways with differing ideals—should they save the blighted Monsties or slay them? Lute and his pals learn that the Black Blight outbreak may have happened once before, so they seek out a mount fit for a prophetic hero. But their quest won’t be that simple—Dr. Manelger has dastardly plans that will test the very meaning of Kinship. Even in times of struggle, though, there’s room for fun, friends, and donuts! Top About this item Similar From the Brand Reviews Monster Hunter Stories Ride On: Season One Part Three [Blu-ray]

$6.99

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Lute, a cheerful and enthusiastic young boy, dreams of becoming the world’s top monster Rider. But no one ever said that getting there would be easy. Every step Lute takes brings a new challenge to overcome. Fortunately, he has his friends to help him along—Cheval, a fellow apprentice Rider, Lilia, a young girl who dreams of leaving the village and seeing the world, and Navirou, a loyal catlike companion. Together they spend their days training in the isolated Hakum Village, working hard and making it through one trial after another.

$6.99

Description

Lute, a cheerful and enthusiastic young boy, dreams of becoming the world’s top monster Rider. But no one ever said that getting there would be easy. Every step Lute takes brings a new challenge to overcome. Fortunately, he has his friends to help him along—Cheval, a fellow apprentice Rider, Lilia, a young girl who dreams of leaving the village and seeing the world, and Navirou, a loyal catlike companion. Together they spend their days training in the isolated Hakum Village, working hard and making it through one trial after another.

$6.99

Description

Lute, a cheerful and enthusiastic young boy, dreams of becoming the world’s top monster Rider. But no one ever said that getting there would be easy. Every step Lute takes brings a new challenge to overcome. Fortunately, he has his friends to help him along—Cheval, a fellow apprentice Rider, Lilia, a young girl who dreams of leaving the village and seeing the world, and Navirou, a loyal catlike companion. Together they spend their days training in the isolated Hakum Village, working hard and making it through one trial after another.

$6.99

Description

Lute, a cheerful and enthusiastic young boy, dreams of becoming the world’s top monster Rider. But no one ever said that getting there would be easy. Every step Lute takes brings a new challenge to overcome. Fortunately, he has his friends to help him along—Cheval, a fellow apprentice Rider, Lilia, a young girl who dreams of leaving the village and seeing the world, and Navirou, a loyal catlike companion. Together they spend their days training in the isolated Hakum Village, working hard and making it through one trial after another.

$6.99

Description

One thousand years from now the legendary Man of Steel inspires a group of emerging young heroes from the 31st century to band together and defend the newly formed United Planets. That is, if they don't kill each other first. In Season One, Legionnaires Bouncing Boy (Michael Cornacchia), Brainiac 5 (Adam Wylie), Saturn Girl (Kari Wahlgren) and Lightning Lad (Andy Milder) travel back in time to convince an awkward teen named Clark Kent (Yuri Lowenthal) to join their Legion of Super Heroes and battle their archnemeses, the Fatal Five. The insecure teen is, in turn, inspired by his new friends and, with their help, begins his journey to become the galaxy's greatest hero. Catching up two years later, Season Two presents Superman and the Legion with an even greater challenge: Kell-El, the Superman of the 41st century!

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Description

One thousand years from now the legendary Man of Steel inspires a group of emerging young heroes from the 31st century to band together and defend the newly formed United Planets. That is, if they don't kill each other first. In Season One, Legionnaires Bouncing Boy (Michael Cornacchia), Brainiac 5 (Adam Wylie), Saturn Girl (Kari Wahlgren) and Lightning Lad (Andy Milder) travel back in time to convince an awkward teen named Clark Kent (Yuri Lowenthal) to join their Legion of Super Heroes and battle their archnemeses, the Fatal Five. The insecure teen is, in turn, inspired by his new friends and, with their help, begins his journey to become the galaxy's greatest hero. Catching up two years later, Season Two presents Superman and the Legion with an even greater challenge: Kell-El, the Superman of the 41st century!