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Return to the scene of the crime with Emmy winner Tony Shalhoub in all 16 fourth-season episodes of the quirky and amusing series Monk. Private detective Adrian Monk has brains, instincts, a photographic memory and more than a few obsessive-compulsive disorders. These traits, his ever-present handy wipes and his devoted assistant, Natalie Teeger (Traylor Howard), help him as he solves cases involving amnesia, betrayal, first loves, true loves and of course, murder. Along with Capt. Stottlemeyer (Ted Levine) and Lt. Disher (Jason Gray-Stanford), Monk is on the case and more germaphobic than ever in this fresh and funny fourth season of “the best detective show to come along in decades” (New York Post). Guest starring Jason Alexander, Jeffrey Donovan, Jon Favreau, Wings Hauser, Glenne Headly, Malcolm McDowell, Laurie Metcalf and many more—including the return of John Turturro as Adrian’s (also phobic) bro, Ambrose! Special Features: • All 16 Season Four Episodes – Newly Restored in 4K • The Monk Writing Process: Featurette with Actors Tony Shalhoub and Ted Levine, Writer/Executive Producer Andy Breckman and the Writers of Monk (14:29) • Joe Perkins Behind the Scenes: Featurette with Detective Consultant Joe Perkins (3:36) • Optional English Subtitles

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This companion series to "The Walking Dead" is set in Los Angeles and chronicles the early days of the zombie outbreak. High school guidance counselor Madison Clark (Kim Dickens) and her boyfriend, English teacher Travis Manawa (Cliff Curtis), must fight for the survival of their blended, dysfunctional family as the dead begin to rise and feed on the living. Frank Dillane, Alycia Debnam-Carey, Elizabeth Rodriguez, and Ruben Blades also star.12 episodes. Widescreen; Soundtrack: English.

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This companion series to "The Walking Dead" is set in Los Angeles and chronicles the early days of the zombie outbreak. High school guidance counselor Madison Clark (Kim Dickens) and her boyfriend, English teacher Travis Manawa (Cliff Curtis), must fight for the survival of their blended, dysfunctional family as the dead begin to rise and feed on the living. Frank Dillane, Alycia Debnam-Carey, Elizabeth Rodriguez, and Ruben Blades also star.12 episodes. Widescreen; Soundtrack: English.

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This companion series to "The Walking Dead" is set in Los Angeles and chronicles the early days of the zombie outbreak. High school guidance counselor Madison Clark (Kim Dickens) and her boyfriend, English teacher Travis Manawa (Cliff Curtis), must fight for the survival of their blended, dysfunctional family as the dead begin to rise and feed on the living. Frank Dillane, Alycia Debnam-Carey, Elizabeth Rodriguez, and Ruben Blades also star.12 episodes. Widescreen; Soundtrack: English.

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Something must have possessed 12-year-old Nebraska farmgirl Eden Edwards (Kate Moyer)-quite literally-as she's managed to inveigle other local kids in a plan to stalk and systematically slaughter the community's unsuspecting adults. College-bound Boleyn Williams (Elena Kampouris) may have the only chance of stopping her, in this long-shelved franchise entry styled as a prequel to the '84 Stephen King shocker. Callan Mulvey, Bruce Spence co-star. 93 min. Widescreen; Soundtrack: English.

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Limited edition gift set includes fully remastered 4K UHD disc debuts for HIS GIRL FRIDAY, GUESS WHO'S COMING TO DINNER, KRAMER VS. KRAMER, STARMAN, SLEEPLESS IN SEATTLE and PUNCH-DRUNK LOVE - the only way to get these movies on 4K UHD! Includes exclusive 80-page full color collectible book with rare photos and insightful history of the included films. Over 30 hours of special features: a mix of rare archival materials and exciting new content

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D’Artagnan arrives in Paris trying to find his attackers after being left for dead, which leads him to a real war where the future of France is at stake. He aligns himself with Athos, Porthos and Aramis, three musketeers of the King.

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Based on the extraordinary character at the center of Charlie and the Chocolate Factory, the jewel in the Roald Dahl crown and one of the best‐selling children’s books of all time, “Wonka” tells the wondrous story of how the world’s greatest inventor, magician and chocolate‐maker became the beloved Willy Wonka we know today. This irresistibly vivid and inventive big screen spectacle will introduce audiences to a young Willy Wonka, chock‐full of ideas and determined to change the world one delectable bite at a time—proving that the best things in life begin with a dream, and if you’re lucky enough to meet Willy Wonka, anything is possible. Bonus Content: Unwrapping Wonka: Paul King’s Vision The Whimsical Music of Wonka Welcome to Wonka Land Hats Off to Wonka Wonka’s Chocolatier

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Based on the extraordinary character at the center of Charlie and the Chocolate Factory, the jewel in the Roald Dahl crown and one of the best‐selling children’s books of all time, “Wonka” tells the wondrous story of how the world’s greatest inventor, magician and chocolate‐maker became the beloved Willy Wonka we know today. This irresistibly vivid and inventive big screen spectacle will introduce audiences to a young Willy Wonka, chock‐full of ideas and determined to change the world one delectable bite at a time—proving that the best things in life begin with a dream, and if you’re lucky enough to meet Willy Wonka, anything is possible. Bonus Content: Unwrapping Wonka: Paul King’s Vision The Whimsical Music of Wonka Welcome to Wonka Land Hats Off to Wonka Wonka’s Chocolatier

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*This listing is for the standard edition version and does NOT come with a limited edition slipcase!* Vinegar Syndrome specializes in the masterful restoration and distribution of cult, horror, and erotic films from the 1960s-90s. Set during the height of the Vietnam War and deep in the swamps of Louisiana, a group of National Guardsmen have been ordered to partake in a simulated jungle exploration in an isolated part of Cajun country. After getting lost during the training mission, the soldiers commandeer canoes belonging to the locals in order to take a shortcut. When the rightful owners discover the soldiers with their property, the situation spirals out of control leaving one man dead and the soldiers caught in a deadly game of retribution. What follows is a bloody fight for survival as, with only their wits and blanks for ammunition, the soldiers will have to journey deeper and deeper into the bayou as they’re forced to face the brutal reality of Cajun justice… An intensely violent war metaphor filmed on location in the Louisiana Bayou, director and co-writer Walter Hill’s (The Warriors, 48 Hrs.) acclaimed "backwoods" survival thriller, SOUTHERN COMFORT features an all-star cast headlined by Oscar winner Keith Carradine (Nashville), Emmy winner Powers Booth (Red Dawn), Fred Ward (Short Cuts), T.K. Carter (John Carpenter’s The Thing), and Emmy winner Peter Coyote (Bitter Moon). Vinegar Syndrome Ultra is proud to present SOUTHERN COMFORT in 4K UHD for the first time, newly restored and loaded with extras. Bonus Features: 1. 2-disc Set: 4K Ultra HD / Region Free Blu-ray 2. 4K UHD presented in High-Dynamic-Range 3. Newly scanned & restored in 4K from its 35mm interpositive 4. Commentary track with Walter Chaw, author of A Walter Hill Film: Tragedy and Masculinity in the Films of Walter Hill 5. "Battle in the Bayou" (17 min) - brand new interview with co-writer / director Walter Hill 6. "Behind Enemy Lines" (26 min) - brand new featurette with editor Freeman A. Davies and assistant editor Lisa Zeno Churgin 7. "Soldiers, Not Mailmen" (17 min) - brand new interview with costumer Dan Moore 8. "Into the Unknown" (15 min) - brand new interview with film historian Wayne Byrne on Southern Comfort and the legacy of Walter Hill 9. Archival featurette featuring interviews with: co-writer / director Walter Hill and co-writer / producer David Giler, along with actors Powers Boothe, Keith Carradine, Peter Coyote and Lewis Smith (27 min) 10. Still gallery 11. Video trailer 12. 20-page booklet with an essay by author Brian Brems 13. Reversible sleeve artwork 14. English SDH subtitles

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Ripped from the headlines of the turbulent era between the Great War and the Great Depression, this dynamic, nostalgia-tinged crime drama balances tommy-gun action with epic historical sweep. Legends James Cagney and Humphrey Bogart star as army buddies whose fortunes rise and fall as their fates intersect, first in a foxhole on the front lines of World War I, then in Manhattan’s Prohibition-era underworld. Directed by Hollywood master Raoul Walsh, and based on a story by prolific journalist turned screenwriter and producer Mark Hellinger, The Roaring Twenties brought to a close the celebrated Warner Bros. gangster cycle of the 1930s, and it remains one of the greatest and most influential crime films of all time. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features Audio commentary with film historian Lincoln Hurst New interview with critic Gary Giddins Excerpt from a 1973 interview with director Raoul Walsh Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by film critic Mark Asch

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Ripped from the headlines of the turbulent era between the Great War and the Great Depression, this dynamic, nostalgia-tinged crime drama balances tommy-gun action with epic historical sweep. Legends James Cagney and Humphrey Bogart star as army buddies whose fortunes rise and fall as their fates intersect, first in a foxhole on the front lines of World War I, then in Manhattan’s Prohibition-era underworld. Directed by Hollywood master Raoul Walsh, and based on a story by prolific journalist turned screenwriter and producer Mark Hellinger, The Roaring Twenties brought to a close the celebrated Warner Bros. gangster cycle of the 1930s, and it remains one of the greatest and most influential crime films of all time. BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack Audio commentary with film historian Lincoln Hurst New interview with critic Gary Giddins Excerpt from a 1973 interview with director Raoul Walsh Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by film critic Mark Asch

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After a revolutionary machine is stolen, a fearless detective and brilliant therapist join forces to recover the device before it falls into the hands of a “dream terrorist” in this gripping anime thriller from acclaimed director Satoshi Kon.

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Limited edition gift set includes fully remastered 4K UHD disc debuts for HIS GIRL FRIDAY, GUESS WHO'S COMING TO DINNER, KRAMER VS. KRAMER, STARMAN, SLEEPLESS IN SEATTLE and PUNCH-DRUNK LOVE - the only way to get these movies on 4K UHD! Includes exclusive 80-page full color collectible book with rare photos and insightful history of the included films. Over 30 hours of special features: a mix of rare archival materials and exciting new content

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Limited edition gift set includes fully remastered 4K UHD disc debuts for HIS GIRL FRIDAY, GUESS WHO'S COMING TO DINNER, KRAMER VS. KRAMER, STARMAN, SLEEPLESS IN SEATTLE and PUNCH-DRUNK LOVE - the only way to get these movies on 4K UHD! Includes exclusive 80-page full color collectible book with rare photos and insightful history of the included films. Over 30 hours of special features: a mix of rare archival materials and exciting new content

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From the creators of Despicable Me comes an adventure-filled new comedy about overcoming your fears and opening yourself up to the world and its opportunities, filled with Illumination's signature subversive humor, authentic heart and unforgettable characters. The Mallard family embarks on a journey south for the winter to Jamaica via New York City, only for their well-laid plans to go awry, leading to new friends and unknown horizons. Get ready to take a flight on a hilariously funny, feathered family vacation like no other! Bonus Content: Includes 4K UHD, Blu-ray and a digital copy of Migration (Subject to expiration. Go to NBCUCodes.com for details.) Features Dolby Vision and HDR10 for Brighter, Deeper, More Lifelike Color Fly Hard Mooned Midnight Mission Microphone Madness Meet the Cast Taking Flight: The Making Of The Art of Flight The Sound of Flight How to Draw Build Your Own Pop-Up Book Calling All Birds Best Nests

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From the creators of Despicable Me comes an adventure-filled new comedy about overcoming your fears and opening yourself up to the world and its opportunities, filled with Illumination's signature subversive humor, authentic heart and unforgettable characters. The Mallard family embarks on a journey south for the winter to Jamaica via New York City, only for their well-laid plans to go awry, leading to new friends and unknown horizons. Get ready to take a flight on a hilariously funny, feathered family vacation like no other! Bonus Content: Includes 4K UHD, Blu-ray and a digital copy of Migration (Subject to expiration. Go to NBCUCodes.com for details.) Features Dolby Vision and HDR10 for Brighter, Deeper, More Lifelike Color Fly Hard Mooned Midnight Mission Microphone Madness Meet the Cast Taking Flight: The Making Of The Art of Flight The Sound of Flight How to Draw Build Your Own Pop-Up Book Calling All Birds Best Nests

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Limited edition gift set includes fully remastered 4K UHD disc debuts for HIS GIRL FRIDAY, GUESS WHO'S COMING TO DINNER, KRAMER VS. KRAMER, STARMAN, SLEEPLESS IN SEATTLE and PUNCH-DRUNK LOVE - the only way to get these movies on 4K UHD! Includes exclusive 80-page full color collectible book with rare photos and insightful history of the included films. Over 30 hours of special features: a mix of rare archival materials and exciting new content

$6.99

Description

Limited edition gift set includes fully remastered 4K UHD disc debuts for HIS GIRL FRIDAY, GUESS WHO'S COMING TO DINNER, KRAMER VS. KRAMER, STARMAN, SLEEPLESS IN SEATTLE and PUNCH-DRUNK LOVE - the only way to get these movies on 4K UHD! Includes exclusive 80-page full color collectible book with rare photos and insightful history of the included films. Over 30 hours of special features: a mix of rare archival materials and exciting new content

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François Truffaut described The Golden Coach as “the noblest and most refined film ever made”. Set to the music of Antonio Vivaldi and with the vivacious Anna Magnani (Rome, Open City), Jean Renoir’s ravishing, sumptuous tribute to theatre involves a viceroy who receives an exquisite golden coach and gives it to the tempestuous star of a touring commedia dell’arte company. Set in Peru in the eighteenth century, The Golden Coach follows Camilla (Magnani), the star of a theater company, who hesitates to choose between the advances of three men. The Viceroy gives her his magnificent golden coach. A young Spanish officer suggests the two of them settle down together. Ramon, a torero, offers her a share of his glory. Special Features: • Alternate French audio track • Audio commentary by film critic Adam Nayman

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A gang of ruthless outlaws…a pair of larger-than-life heroes…a timeless tale of good versus evil. Blended together, the result is a sprawling, epic adventure bigger than the wild frontier—Gunfight at the O.K. Corral. Screen legends Burt Lancaster (Vera Cruz) and Kirk Douglas (Lonely Are the Brave) team up to rid Tombstone, Arizona of the murderous Clanton gang in this all-star, action-packed classic. When lawman Wyatt Earp (Lancaster) and gunfighter John “Doc” Holliday (Douglas) ride into town, they find themselves pitted against one of the biggest foes ever encountered, in the form of Ike Clanton (Lyle Bettger) and his posse of cutthroats. It isn’t long before the confrontation explodes into a survival-at-all-costs battle, with Rhonda Fleming, Jo Van Fleet, John Ireland, Dennis Hopper, DeForest Kelley, Martin Milner and Lee Van Cleef among the screen luminaries swept into the drama and excitement of the Wild West’s most legendary six-gun showdown. Shot by Charles Lang (How the West Was Won), scored by Dimitri Tiomkin (High Noon), scripted by Leon Uris (Exodus) and staged magnificently by John Sturges, director of Bad Day at Black Rock, The Magnificent Seven and The Great Escape. Special Features: DISC 1 (4KUHD): • Brand New HDR/Dolby Vision Master by Paramount – From a 4K Scan of the 35mm Original Camera Negative • NEW Audio Commentary by Author/Screenwriter C. Courtney Joyner and Film Historian Henry Parke (True West Magazine) • Triple-Layered UHD100 Disc • 5.1 Surround and Lossless 2.0 Audio • Optional English Subtitles DISC 2 (BLU-RAY): • Brand New HD Master by Paramount Pictures – From a 4K Scan of the 35mm Original Camera Negative • NEW Audio Commentary by Author/Screenwriter C. Courtney Joyner and Film Historian Henry Parke (True West Magazine) • Theatrical Trailer • Dual-Layered BD50 Disc • 5.1 Surround and Lossless 2.0 Audio • Optional English Subtitles

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A liberal couple’s beliefs are tested when their daughter brings home the Black doctor she plans to marry.

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Soon after her return from a business trip to Hong Kong, Beth Emhoff dies from what is a flu or some other type of infection. Her young son dies later the same day. Her husband Mitch however seems immune. Thus begins the spread of a deadly infection. For doctors and administrators at the U.S. Centers for Disease Control, several days pass before anyone realizes the extent or gravity of this new infection. They must first identify the type of virus in question and then find a means of combating it, a process that will likely take several months. As the contagion spreads to millions of people worldwide, societal order begins to break down as people panic.

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TIM and ALLIE seek shelter in a remote desert compound after becoming lost and stranded. A strange Manson-like character, PREACHER (Drago), reluctantly allows them inside with strict orders to be gone by morning and not wander "where you are not invited.]]0]]Joel Soisson]]]Billy Drago]Kelen Coleman]Barbara Nedeljakova]Duane Whitaker]Tim Rock]J.J. Banicki]Dusty Burwell]]]

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After wooing stewardess Yoriko (Chieko Matsubara, Tokyo Drifter), war photographer Hondo (Akira Kobayashi, Battles Without Honor and Humanity) sees her kidnapped by a team of deadly female assassins who use vinyl records as weapons. Investigating her whereabouts, Hondo uncovers a conspiracy to steal a buried stash of WWII-era gold. Soon he must dodge go-go dancing ninjas and chewing-gum bullets to save Yoriko, whose family secret is tied to the hidden treasure. Every bit as stylish and inventive as the wildest works by his mentor Seijun Suzuki, Yasuharu Hasebe's spy spoof is a gaudy 1960s pop delight that ranks with the likes of Joseph Losey's Modesty Blaise and Mario Bava's Danger: Diabolik! SPECIAL FEATURES High-Definition digital transfer Uncompressed mono PCM audio Audio commentary by Jasper Sharp Archival interview with director Yasuharu Hasebe Trailer Optional English subtitles Reversible sleeve featuring original and newly commissioned artwork by Time Tomorrow Limited edition booklet featuring new writing by Japanese cinema expert Chris D.

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While vacationing by the Baltic Sea, writer Leon (Thomas Schubert) and photographer Felix (Langston Uibel) are surprised to encounter Nadja (Paula Beer), a mysterious young woman staying as a guest at the holiday home of Felix’s family. Nadja soon distracts Leon from finishing his latest novel, not only because of her passionate liaison with lifeguard Devid (Enno Trebs) but also because her brutal honesty forces Leon to confront his artistic inadequacies. As Nadja and Leon grow closer, an encroaching forest fire threatens the group and pushes the writer to discover whether he can truly care for anything beyond himself. Christian Petzold’s acclaimed latest film was the winner of the Silver Bear Grand Jury Prize at the 2023 Berlin International Film Festival. INCLUDES Meet the Filmmakers, a new interview with director Christian Petzold Trailer

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In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space. Journeying between Europe and New York City, Akerman forged a highly personal style that fuses avant-garde influences with deeply human expressions of alienation, desire, and displacement—themes that she would explore in a series of increasingly ambitious shorts, documentaries, and features, including the towering Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. With immersive rhythms that render the most minute details momentous, these landmarks of twentieth-century art continue to reveal new ways of experiencing cinema and framing reality. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration of Les rendez-vous d’Anna and 2K digital restorations of Saute ma ville; L’enfant aimé ou Je joue à être une femme mariée; La chambre; Hotel Monterey; Le 15/8; Je tu il elle; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; and News from Home, with uncompressed monaural soundtracks Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman Film-school tests by Akerman New program on Akerman featuring critic B. Ruby Rich New visual essay on Akerman featuring archival interviews Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman Interviews with Akerman, cinematographer Babette Mangolte, actors Aurore Clément and Delphine Seyrig, and Akerman’s mother, Natalia Appreciation by filmmaker Ira Sachs PLUS: An essay and notes on the films by critic Beatrice Loayza SAUTE MA VILLE Made when the director was just eighteen, Chantal Akerman’s debut film is a blistering first expression of what would become one of her major themes: women’s confinement in and rebellion against the domestic sphere. Akerman plays a young woman who, alone in her kitchen, enacts a savaging of traditional domestic rituals that leads to a literally explosive climax. L’ENFANT AIMÉ OU JE JOUE À ÊTRE UNE FEMME MARIÉE One of Chantal Akerman’s most rarely seen works is an intimate portrait of a young mother (played by Claire Wauthion) whose day-to-day routines are intercut with her stream-of-consciousness ruminations on her family, sex life, relationships, and body. Though Akerman (who also appears in the film) was later dismissive of her second directorial effort, its patient focus on the tension between domesticity and a woman’s inner life marks L’enfant aimé as an important link in the development of her artistry. LA CHAMBRE Chantal Akerman’s dialogue with the 1960s avant-garde movement of structural cinema begins here, with the first film she made in New York City—a breakthrough in her experiments with the bending of cinematic time and space. As the camera completes a series of circular pans around a small apartment, the interior’s furniture, its clutter, and the filmmaker herself—staring back at us from bed—become the subjects of a moving still life. HOTEL MONTEREY Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux. Filmed over the course of fifteen hours, from evening to dawn, with cinematographer and frequent collaborator Babette Mangolte’s carefully controlled camera gradually making its way from the lamplit lobby to the rooftop overlooking an awakening city, this radical, silent experiment in duration stands as one of Akerman’s most arresting formal achievements, collapsing time and charging the quotidian space it surveys with an eerie unreality. LE 15/8 Shot and directed by Chantal Akerman and Samy Szlingerbaum, this quietly revealing variation on the filmmaker’s recurring themes of dislocation and alienation unfolds on one day—August 15, 1973—in a Paris apartment, where Finnish expat Chris Myllykoski opens up to the camera about her anxieties and uncertainties, her aspirations and ennui, and the sense of vulnerability she feels being a woman alone in an unfamiliar country. As Myllykoski’s voice-over narration shifts between the mundane and the searching, Akerman’s observant camera remains attuned to tiny gestures that tell a story of their own. JE TU IL ELLE Chantal Akerman’s first narrative feature is a startlingly vulnerable exploration of alienation and the search for connection. In a performance at once daringly exposed and enigmatic, Akerman plays a young woman who, following a lengthy, self-imposed exile, ventures out into the world, where she has two very different experiences of intimacy: first with a truck driver (Niels Arestrup) who picks her up, and then with a female ex-lover (Claire Wauthion). Culminating in an audacious, real-time carnal encounter that brought lesbian sexuality to the screen with a new frankness, Je tu il elle finds Akerman wielding her radical minimalism with a newfound emotional and psychological precision. JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. NEWS FROM HOME Following her time living in New York in the early 1970s, Chantal Akerman returned to the city to create one of her most elegantly minimalist and profoundly affecting meditations on dislocation and estrangement. Over a series of exactingly composed shots of Manhattan circa 1976, the filmmaker reads letters sent by her mother years earlier. The juxtaposition between the intimacy of these domestic reports and the lonely, bleakly beautiful cityscapes results in a poignant reflection on personal and familial disconnection that doubles as a transfixing time capsule. LES RENDEZ-VOUS D’ANNA Chantal Akerman’s narrative follow-up to her international breakthrough, Jeanne Dielman, is a penetrating portrait of a woman’s soul-deep malaise and a mesmerizing odyssey through a haunted Europe. While on a tour through Germany, Belgium, and France to promote her latest movie, Anna (Aurore Clément), an accomplished filmmaker, passes through a series of eerie, exquisitely shot brief encounters—with men and women, family and strangers—that gradually reveal her emotional and physical detachment from the world. Mirroring the itinerant Akerman’s own restless wanderings, this quasi self-portrait journeys through a succession of liminal spaces—hotel rooms, railway stations, train cars—toward an indelible encounter with the specter of history. Top About this item Similar From the Brand Reviews Chantal Akerman Masterpieces, 1968–1978 (The Criterion Collection) [Blu-ray]

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In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space. Journeying between Europe and New York City, Akerman forged a highly personal style that fuses avant-garde influences with deeply human expressions of alienation, desire, and displacement—themes that she would explore in a series of increasingly ambitious shorts, documentaries, and features, including the towering Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. With immersive rhythms that render the most minute details momentous, these landmarks of twentieth-century art continue to reveal new ways of experiencing cinema and framing reality. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration of Les rendez-vous d’Anna and 2K digital restorations of Saute ma ville; L’enfant aimé ou Je joue à être une femme mariée; La chambre; Hotel Monterey; Le 15/8; Je tu il elle; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; and News from Home, with uncompressed monaural soundtracks Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman Film-school tests by Akerman New program on Akerman featuring critic B. Ruby Rich New visual essay on Akerman featuring archival interviews Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman Interviews with Akerman, cinematographer Babette Mangolte, actors Aurore Clément and Delphine Seyrig, and Akerman’s mother, Natalia Appreciation by filmmaker Ira Sachs PLUS: An essay and notes on the films by critic Beatrice Loayza SAUTE MA VILLE Made when the director was just eighteen, Chantal Akerman’s debut film is a blistering first expression of what would become one of her major themes: women’s confinement in and rebellion against the domestic sphere. Akerman plays a young woman who, alone in her kitchen, enacts a savaging of traditional domestic rituals that leads to a literally explosive climax. L’ENFANT AIMÉ OU JE JOUE À ÊTRE UNE FEMME MARIÉE One of Chantal Akerman’s most rarely seen works is an intimate portrait of a young mother (played by Claire Wauthion) whose day-to-day routines are intercut with her stream-of-consciousness ruminations on her family, sex life, relationships, and body. Though Akerman (who also appears in the film) was later dismissive of her second directorial effort, its patient focus on the tension between domesticity and a woman’s inner life marks L’enfant aimé as an important link in the development of her artistry. LA CHAMBRE Chantal Akerman’s dialogue with the 1960s avant-garde movement of structural cinema begins here, with the first film she made in New York City—a breakthrough in her experiments with the bending of cinematic time and space. As the camera completes a series of circular pans around a small apartment, the interior’s furniture, its clutter, and the filmmaker herself—staring back at us from bed—become the subjects of a moving still life. HOTEL MONTEREY Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux. Filmed over the course of fifteen hours, from evening to dawn, with cinematographer and frequent collaborator Babette Mangolte’s carefully controlled camera gradually making its way from the lamplit lobby to the rooftop overlooking an awakening city, this radical, silent experiment in duration stands as one of Akerman’s most arresting formal achievements, collapsing time and charging the quotidian space it surveys with an eerie unreality. LE 15/8 Shot and directed by Chantal Akerman and Samy Szlingerbaum, this quietly revealing variation on the filmmaker’s recurring themes of dislocation and alienation unfolds on one day—August 15, 1973—in a Paris apartment, where Finnish expat Chris Myllykoski opens up to the camera about her anxieties and uncertainties, her aspirations and ennui, and the sense of vulnerability she feels being a woman alone in an unfamiliar country. As Myllykoski’s voice-over narration shifts between the mundane and the searching, Akerman’s observant camera remains attuned to tiny gestures that tell a story of their own. JE TU IL ELLE Chantal Akerman’s first narrative feature is a startlingly vulnerable exploration of alienation and the search for connection. In a performance at once daringly exposed and enigmatic, Akerman plays a young woman who, following a lengthy, self-imposed exile, ventures out into the world, where she has two very different experiences of intimacy: first with a truck driver (Niels Arestrup) who picks her up, and then with a female ex-lover (Claire Wauthion). Culminating in an audacious, real-time carnal encounter that brought lesbian sexuality to the screen with a new frankness, Je tu il elle finds Akerman wielding her radical minimalism with a newfound emotional and psychological precision. JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. NEWS FROM HOME Following her time living in New York in the early 1970s, Chantal Akerman returned to the city to create one of her most elegantly minimalist and profoundly affecting meditations on dislocation and estrangement. Over a series of exactingly composed shots of Manhattan circa 1976, the filmmaker reads letters sent by her mother years earlier. The juxtaposition between the intimacy of these domestic reports and the lonely, bleakly beautiful cityscapes results in a poignant reflection on personal and familial disconnection that doubles as a transfixing time capsule. LES RENDEZ-VOUS D’ANNA Chantal Akerman’s narrative follow-up to her international breakthrough, Jeanne Dielman, is a penetrating portrait of a woman’s soul-deep malaise and a mesmerizing odyssey through a haunted Europe. While on a tour through Germany, Belgium, and France to promote her latest movie, Anna (Aurore Clément), an accomplished filmmaker, passes through a series of eerie, exquisitely shot brief encounters—with men and women, family and strangers—that gradually reveal her emotional and physical detachment from the world. Mirroring the itinerant Akerman’s own restless wanderings, this quasi self-portrait journeys through a succession of liminal spaces—hotel rooms, railway stations, train cars—toward an indelible encounter with the specter of history. Top About this item Similar From the Brand Reviews Chantal Akerman Masterpieces, 1968–1978 (The Criterion Collection) [Blu-ray]

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In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space. Journeying between Europe and New York City, Akerman forged a highly personal style that fuses avant-garde influences with deeply human expressions of alienation, desire, and displacement—themes that she would explore in a series of increasingly ambitious shorts, documentaries, and features, including the towering Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. With immersive rhythms that render the most minute details momentous, these landmarks of twentieth-century art continue to reveal new ways of experiencing cinema and framing reality. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration of Les rendez-vous d’Anna and 2K digital restorations of Saute ma ville; L’enfant aimé ou Je joue à être une femme mariée; La chambre; Hotel Monterey; Le 15/8; Je tu il elle; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; and News from Home, with uncompressed monaural soundtracks Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman Film-school tests by Akerman New program on Akerman featuring critic B. Ruby Rich New visual essay on Akerman featuring archival interviews Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman Interviews with Akerman, cinematographer Babette Mangolte, actors Aurore Clément and Delphine Seyrig, and Akerman’s mother, Natalia Appreciation by filmmaker Ira Sachs PLUS: An essay and notes on the films by critic Beatrice Loayza SAUTE MA VILLE Made when the director was just eighteen, Chantal Akerman’s debut film is a blistering first expression of what would become one of her major themes: women’s confinement in and rebellion against the domestic sphere. Akerman plays a young woman who, alone in her kitchen, enacts a savaging of traditional domestic rituals that leads to a literally explosive climax. L’ENFANT AIMÉ OU JE JOUE À ÊTRE UNE FEMME MARIÉE One of Chantal Akerman’s most rarely seen works is an intimate portrait of a young mother (played by Claire Wauthion) whose day-to-day routines are intercut with her stream-of-consciousness ruminations on her family, sex life, relationships, and body. Though Akerman (who also appears in the film) was later dismissive of her second directorial effort, its patient focus on the tension between domesticity and a woman’s inner life marks L’enfant aimé as an important link in the development of her artistry. LA CHAMBRE Chantal Akerman’s dialogue with the 1960s avant-garde movement of structural cinema begins here, with the first film she made in New York City—a breakthrough in her experiments with the bending of cinematic time and space. As the camera completes a series of circular pans around a small apartment, the interior’s furniture, its clutter, and the filmmaker herself—staring back at us from bed—become the subjects of a moving still life. HOTEL MONTEREY Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux. Filmed over the course of fifteen hours, from evening to dawn, with cinematographer and frequent collaborator Babette Mangolte’s carefully controlled camera gradually making its way from the lamplit lobby to the rooftop overlooking an awakening city, this radical, silent experiment in duration stands as one of Akerman’s most arresting formal achievements, collapsing time and charging the quotidian space it surveys with an eerie unreality. LE 15/8 Shot and directed by Chantal Akerman and Samy Szlingerbaum, this quietly revealing variation on the filmmaker’s recurring themes of dislocation and alienation unfolds on one day—August 15, 1973—in a Paris apartment, where Finnish expat Chris Myllykoski opens up to the camera about her anxieties and uncertainties, her aspirations and ennui, and the sense of vulnerability she feels being a woman alone in an unfamiliar country. As Myllykoski’s voice-over narration shifts between the mundane and the searching, Akerman’s observant camera remains attuned to tiny gestures that tell a story of their own. JE TU IL ELLE Chantal Akerman’s first narrative feature is a startlingly vulnerable exploration of alienation and the search for connection. In a performance at once daringly exposed and enigmatic, Akerman plays a young woman who, following a lengthy, self-imposed exile, ventures out into the world, where she has two very different experiences of intimacy: first with a truck driver (Niels Arestrup) who picks her up, and then with a female ex-lover (Claire Wauthion). Culminating in an audacious, real-time carnal encounter that brought lesbian sexuality to the screen with a new frankness, Je tu il elle finds Akerman wielding her radical minimalism with a newfound emotional and psychological precision. JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. NEWS FROM HOME Following her time living in New York in the early 1970s, Chantal Akerman returned to the city to create one of her most elegantly minimalist and profoundly affecting meditations on dislocation and estrangement. Over a series of exactingly composed shots of Manhattan circa 1976, the filmmaker reads letters sent by her mother years earlier. The juxtaposition between the intimacy of these domestic reports and the lonely, bleakly beautiful cityscapes results in a poignant reflection on personal and familial disconnection that doubles as a transfixing time capsule. LES RENDEZ-VOUS D’ANNA Chantal Akerman’s narrative follow-up to her international breakthrough, Jeanne Dielman, is a penetrating portrait of a woman’s soul-deep malaise and a mesmerizing odyssey through a haunted Europe. While on a tour through Germany, Belgium, and France to promote her latest movie, Anna (Aurore Clément), an accomplished filmmaker, passes through a series of eerie, exquisitely shot brief encounters—with men and women, family and strangers—that gradually reveal her emotional and physical detachment from the world. Mirroring the itinerant Akerman’s own restless wanderings, this quasi self-portrait journeys through a succession of liminal spaces—hotel rooms, railway stations, train cars—toward an indelible encounter with the specter of history. Top About this item Similar From the Brand Reviews Chantal Akerman Masterpieces, 1968–1978 (The Criterion Collection) [Blu-ray]

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A group of young adults discover a boarded up Camp Crystal Lake, where t hey soon encounter Jason Voorhees (Mears) and his deadly intentions. Bonus Content: – Theatrical and Extended Cuts – Rebirth of Jason Voorhees – Interactive PIP with Trivia Track – Hacking Back/Slashing Forward – The 7 Best Kills Extra – Additional Scenes – BD Live • My Commentary

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Michael Roemer’s groundbreaking first feature, sensitively shot by his close collaborator Robert M. Young, is a still-resonant expression of humanity in the face of virulent prejudice. Made at the height of the civil rights movement, Nothing but a Man reveals the toll of systemic racism through its honest portrait of a southern Black railroad worker (Ivan Dixon) confronting the daily challenges of discrimination and economic precarity, as he attempts to settle down with his new wife (jazz great Abbey Lincoln) and track down his father (Julius Harris). Admired by Malcolm X and now recognized as a landmark of American cinema, this tender film grounds its social critique in characters of unforgettable complexity and truth. DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES New, restored 4K digital master, approved by director Michael Roemer, with uncompressed monaural soundtrack An Introduction to Michael Roemer, a new interview program featuring Roemer Conversation from 2004 between Roemer and coproducer and cinematographer Robert M. Young Program featuring archival interviews with actors Ivan Dixon, Abbey Lincoln, and Julius Harris English subtitles for the deaf and hard of hearing PLUS: An essay by critic Gene Seymour Top About this item Similar From the Brand Reviews Nothing but a Man (The Criterion Collection) [Blu-ray]

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Jane Birkin and Geraldine Chaplin star as theatre troupe members who are invited by a mysterious playwright/director to perform in a strange mansion. As the rehearsal progresses, secrets are revealed and the line between fiction and reality blurs. Special Features: -Audio commentary track by Director Emeritus, New York Film Festival & Professor of Film and Media Studies, Columbia University Richard Peña -Re-release Trailer

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Texas Chainsaw Massacre (BD) Get help! That’s a good idea when carefree friends traveling the back roads of Texas run into trouble. So they ask for assistance at an eerie, ramshackle farmhouse. That’s a bad idea – one that cranks up the whirring, ripping terror of this fear-choked re-imagining of the cult fave The Texas Chainsaw Massacre. Producer Michael Bay (Transformers), director Marcus Nispel (2009’s Friday the 13th) and their filmmaking team bring edgy contemporary style to a gory frightmare. Jessica Biel leads the cast of roadtrippers who must battle the spinning steel of monstrous Leatherface. Join them for a savage game of hide and shriek. Special Features • 3 Commentaries on Production, Story and Technical Aspects with Producer Michael Bay, Director Marcus Nispel, Stars Jessica Biel and Eric Balfour and More • Alternate Opening and Ending • Severed Parts Deleted Scenes Featurette • Comprehensive Feature-Length Documentary Chainsaw Redux: Making a Massacre, Chronicling the Movie’s Origins, Casting and Production • Ed Gein: The Ghost of Plainfield – Shocking Profile of the Real-Like Killer That Inspired the Movie • Screen Tests of Jessica Biel, Eric Balfour and Erica Leerhsen • Motograter Suffocate Music Video • Trailers & TV Spots

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Mind control. Advances of modern science have removed it from the realm of the mystical into the all-too-probable. What happens when science loses control is the subject of The Terminal Man, based on a novel by Michael Crichton (Jurassic Park, The Andromeda Strain) and written for the screen and directed by Mike Hodges (Get Carter, Croupier). Computer scientist Harry Benson (George Segal) has experimental brain surgery to end his potentially dangerous seizures. Electrodes are attached to 40 terminals of his brain to counteract his violent impulses. But there's no escaping his own mind. The experiment has back-fired, and the seizures return…with a terminal vengeance. Hooking into this visionary tale will unnerve you. But the truth behind its hallucinatory horrors will fascinate and stimulate you.

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In this TV follow-up to the feature film, the alien (Robert Hays, Airplane!) returns to Earth 14 years after his first visit. Taking on the identity of Paul Forrester, a dead freelance photographer, he succeeds in finding the son he fathered, Scott (Young Artist Award nominee Christopher Daniel Barnes, The Brady Bunch Movie), but learns that Scott and his mother have been separated. Together they search for her, but they're hounded by a paranoid and malevolent government agent (Michael Cavanaugh, The Haunting). Newly remastered.

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In this TV follow-up to the feature film, the alien (Robert Hays, Airplane!) returns to Earth 14 years after his first visit. Taking on the identity of Paul Forrester, a dead freelance photographer, he succeeds in finding the son he fathered, Scott (Young Artist Award nominee Christopher Daniel Barnes, The Brady Bunch Movie), but learns that Scott and his mother have been separated. Together they search for her, but they're hounded by a paranoid and malevolent government agent (Michael Cavanaugh, The Haunting). Newly remastered.

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Product Description It's a race against time when an interrogation specialist and a C.I.A. agent battle wits with a suspected terrorist who's planted three nuclear devices set to explode if his demands are not met. Amazon.com Unthinkable will give people of all political persuasions plenty to argue about. A terrorist named Arthur Younger (Michael Sheen, Frost/Nixon) has planted nuclear bombs in three American cities, then allowed himself to be arrested. The government, desperate to find these bombs, turns Younger over to a man known only as H (Samuel L. Jackson), who will use any means to extract information from Younger, despite the protests of FBI agent Helen Brody (Carrie-Anne Moss, Memento), who argues that torture doesn't produce viable data. Though Unthinkable is driven by this debate, the plot moves forward propulsively, never getting bogged down in rhetoric, and it carefully grounds this fantasy scenario (Younger is to real terrorists as Hannibal Lecter is to real serial killers) in realistic textures and details. It helps that the cast is crammed with talented characters actors, including Martin Donovan (The Opposite of Sex), Stephen Root (NewsRadio), and a lot of faces you'll recognize, even if you don't know their names. More importantly, Unthinkable gives weight to both perspectives and doesn't pull its punches about what torture entails. The final moment will provoke the most debate: does it bring the argument to a conclusion, or are the filmmakers just picking the most flamboyant ending? --Bret Fetzer

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Product Description When a Vienna museum guard befriends an adrift out-of-town visitor, the grand Kunsthistorisches Art Museum becomes a mysterious crossroads which sparks explorations of their lives, the city, and the ways artworks reflect and shape the world. BONUS FEATURES: - Rare Short Films by Jem Cohen Amber City (48:00, 1999, 16mm film) Anne Truitt, Working (13:00, 2009, 16mm film) Museum (Visiting the Unknown Man) (8:00, 1997, Super 8 film) - Alternate English Voice Over Track - Theatrical Trailer - Festival Trailer - Plus: 24-page booklet featuring essays by Luc Sante and Jem Cohen Review "Four Stars! An exhilarating journey through art and life." --Washington Post "Rapturous. A film of such intelligence and originality that radical seems the only accurate word." --Village Voice "Exquisitely photographed." --LA Times

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From Stanley Kramer, the acclaimed director of On the Beach, Inherit the Wind, Judgment at Nuremberg, Ship of Fools, The Defiant Ones and It’s a Mad Mad Mad Mad World, comes The Runner Stumbles, the final film in the legendary filmmaker’s career. Television and screen legend Dick Van Dyke (Mary Poppins, The Dick Van Dyke Show) stars in this moving and powerful drama about a priest accused of murdering the nun with whom he had fallen in love. Inspired by a real-life murder case, the story focuses on Father Rivard (Van Dyke), a priest banished to a dreary, poverty-stricken coal mining town for his radical views. His life is suddenly changed by the arrival of Sister Rita (Kathleen Quinlan, Warning Signs, Breakdown), a vivacious young nun who immediately sets the town talking with her open, unorthodox behavior. But soon talk turns to vicious gossip and tragedy as the self-righteous townsfolk come to believe the love between the nun and the priest is more than just spiritual. Maureen Stapleton (Reds), Beau Bridges (The Landlord), Ray Bolger (The Wizard of Oz) and Tammy Grimes (Play It as It Lays) co-star in this compelling, intelligent and ambitious film that expertly builds to its surprising ending. Special Features: -NEW Audio Commentary by Film Historian and Critic Peter Tonguette -Optional English Subtitles -Dual-Layered BD50 Disc -Trailers

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Brad Pitt stars in this film about Oakland A's general manager Billy Beane and his attempt to put together a baseball club on a budget by employing computer-generated analysis to draft his players.

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In director Eugene Green's elegant and poignant La Sapienza, architect Alexandre (Fabrizio Rongione) and social scientist Alienor (Christelle Prot Landman) retreat to Stresa, Italy, intent on climbing out of the emotional malaise that has trapped their marriage. As Alexandre prepares a long-deferred book on the great Baroque architect Francesco Borromini, the couple happens upon a pair of charming young siblings: Goffredo (Ludovico Succio), a prospective architecture student, and Lavinia (Arianna Nastro), who suffers from a rare nervous disorder. Moved to take the siblings under their wing, Alexandre and Alienor commence an inner journey that rekindles their passion for life, work, and each other.

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An exotic adventure set among ivory traders and military officers in Colonial East Africa, MAMBA stars Jean Hersholt as a corrupt land-owner who battles a German officer (Ralph Forbes) over the honor of a young woman (Eleanor Boardman). But the romantic triangle is shattered when the indigenous population mounts an epic assault upon its oppressors. Billed as the first feature-length all-talking Technicolor drama, MAMBA was an bold attempt by the low-budget Tiffany Productions to compete with the major studios. For decades it was considered a lost film, until an original print was discovered in Australia. Photochemically preserved and digitally restored, this edition reveals that MAMBA is much more than a curiosity item; it is a film of remarkable artistic ambition, with such diverse influences as Erich von Stroheim’s sexually frank melodramas and the “unchained camera” of the German silent cinema. Special Features: • Audio commentary by filmmaker Brian Trenchard Smith • Interview with Paul Brennan on the rediscovery and restoration of Mamba, excerpted from the documentary Splice Here: A Projected Odyssey, by Rob Murphy • Theatre of Dreams, a documentary short on Murray and Pat Matthews, the Australian film collectors who discovered the sole surviving print of Mamba

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Amityville Horror 4k UHD Blu ray - Hit shocker, based on the best-selling book, follows real-life couple George and Kathy Lutz (James Brolin, Margot Kidder) and their children as they move into a charming Dutch Colonial house located in the Long Island community of Amityville. Not long after taking up residence, disturbing and unexplainable occurrences convince them their new home is haunted. Rod Steiger, Don Stroud also star. 119 minutes making-of documentaries; featurettes; more.

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Explosive star-power meets spectacular action when Robert Redford (3 Days of the Condor) goes up against James Gandolfini (TV’s The Sopranos) in this powerhouse action-thriller. His service to his country made him a hero. But one mistake made him a prisoner. For General Eugene Irwin (Redford), it’s just a matter of serving out his sentence—until he makes the shocking discovery that his fellow inmates are being murdered. Now, Irwin is taking command one last time—and unifying the inmates in a desperate battle to overcome a brutally corrupt system and show the world the truth. Directed by Rod Lurie (The Contender), The Last Castle crackles with action, drama and a top-notch cast that includes Mark Ruffalo (Avengers: Infinity War), Paul Calderon (King of New York), Clifton Collins Jr. (187), Robin Wright (Unbreakable) and Delroy Lindo (Get Shorty). Special Features: DISC 1 (4KUHD): • Brand New HDR/Dolby Vision Master by Paramount – From a 4K Scan of the 35mm Original Camera Negative • Audio Commentary by Director Rod Lurie • Triple-Layered UHD100 Disc • 5.1 Surround and Lossless 2.0 Audio • Optional English Subtitles DISC 2 (BLU-RAY): • Brand New HD Master by Paramount Pictures – From a 4K Scan of the 35mm Original Camera Negative • Audio Commentary by Director Rod Lurie • Rod Lurie on The Last Castle: Featurette (10:35) • 9 Deleted Scenes with Optional Audio Commentaries by Rod Lurie (14:29) • HBO First Look - Inside the Walls of The Last Castle: Featurette (15:01) • A Hero's Farewell - A Discussion on the Alternate Ending: Featurette (2:45) • Theatrical Trailer (2:24) • Dual-Layered BD50 Disc • 5.1 Surround and Lossless 2.0 Audio • Optional English Subtitles

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Plunge into this go-for-the-jugular sci-fi thriller starring Peter Weller (RoboCop) and Richard Crenna (First Blood) and featuring non-stop action, nerve-shattering suspense and awesome creatures by special-effects legend Stan Winston (Aliens). On the dark and forbidding ocean floor, the crew of a deep-sea mining rig discovers a sunken freighter that harbors a deadly secret: a genetic experiment gone horribly wrong. With a storm raging on the surface and no hope of rescue, the captain (Weller) and his team are propelled into a spine-tingling battle for survival against the ultimate foe—a hideous monster that cannot die...and lives to kill. Directed by George P. Cosmatos (Tombstone) from a script by David Webb Peoples (Blade Runner) and Jeb Stuart (Die Hard), Leviathan is a gripping and imaginative thrill ride that will leave you gasping for air…and clawing for the surface! Featuring Amanda Pays, Daniel Stern, Ernie Hudson, Michael Carmine, Lisa Eilbacher, Hector Elizondo, Meg Foster and music by Jerry Goldsmith (Alien). Special Features: DISC 1 (4KUHD): • Brand New HDR/Dolby Vision Master – From a 4K Scan of the 35mm Interpositive • NEW Audio Commentary by Film Historians Steve Mitchell and Nathaniel Thompson • Triple-Layered UHD100 Disc • 5.1 Surround and Lossless 2.0 Audio • Optional English Subtitles DISC 2 (BLU-RAY): • Brand New HD Master – From a 4K Scan of the 35mm Interpositive • NEW Audio Commentary by Film Historians Steve Mitchell and Nathaniel Thompson • LEVIATHAN: MONSTER MELTING POT - Featurette (40:26) • DISSECTING COBB: Interview with Actor Hector Elizondo (12:35) • SURVIVING LEVIATHAN: Interview with Actor Ernie Hudson (15:01) • Theatrical Trailer • Dual-Layered BD50 Disc • 5.1 Surround and Lossless 2.0 Audio • Optional English Subtitles

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Frances McDormand (Fargo) star in Darkman—the explosive, action-packed thriller from director Sam Raimi (the Spider-Man trilogy). Dr. Peyton Westlake (Neeson) is on the verge of realizing a major breakthrough in the creation of synthetic skin when his laboratory is blown up by gangsters. Having been burned beyond recognition and forever altered by an experimental medical procedure, Westlake becomes known as Darkman, assuming alternate identities in his quest for revenge and a new life with his former love (McDormand). Also starring Colin Friels (Dark City), Larry Drake (Dr. Giggles), Danny Hicks (Evil Dead 2), and Nicholas Worth (Swamp Thing), Darkman is "a frenetic funhouse ride that has you laughing and screaming at the same time" (The Washington Post)! Bonus Content: 4K Restoration from the Original Negative in Dolby Vision Approved by Director Sam Raimi and Director of Photography Bill Pope Audio Commentary with Filmmaker and Darkman Superfan Josh Ruben Audio Commentary with Bill Pope 4K Transfer from the Original Camera Negative Approved by Sam Raimi and Bill Pope Audio Commentary with Josh Ruben Deleted Scenes Dissecting Darkman: Interview with Actor Liam Neeson Interview with Actor Frances McDormand The Name Is Durant: Interview with Actor Larry Drake The Face of Revenge: Interview with Makeup Designer Tony Gardner Henchman Tales: Interviews with Actors Danny Hicks and Dan Bell Dark Design: Interview with Production Designer Randy Ser and Art Director Philip Dagort Vintage "Making-Of" Featurette: Interviews with Sam Raimi, Liam Neeson, Frances McDormand and More… Vintage Interviews with Sam Raimi, Liam Neeson and Frances McDormand Theatrical Trailer TV Spots Still Galleries: Posters & Production Stills, Behind the Scenes, Make-Up Effects and Storyboards

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Eddie Murphy is back as Axel Foley in the third, action-packed installment of the blockbuster comedy franchise BEVERLY HILLS COP, now remastered in 4K Ultra HD with Dolby Vision and HDR-10. After investigating a Detroit car theft ring, Axel finds himself at the center of real high-stakes danger—a hidden crime front located within a popular California amusement park. Directed by John Landis (TRADING PLACES, COMING TO AMERICA), and featuring Judge Reinhold, Bronson Pinchot and Gil Hill returning to their roles.

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A quiet drifter (Nicolas Cage) finds himself stranded in a remote town when his car breaks down. Taking on a janitorial job at the now-condemned Willy's Wonderland seems like an easy way to earn some cash…but the mundane task suddenly becomes an all-out fight for survival when he must do battle with wave after wave of demonic, murderous animatronics. Bonus Content: In Dolby Vision (HDR-10 Compatible) Inside Fun Featurette Set Tour with Actor Christian Del Grosso Fresh Meat Featurette Coloful Darkness and the Demon-Atrons Featurette Trailer Image Galleries

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*This listing is for the standard edition version and does NOT come with a limited edition slipcase!* When Dr. Walter Hall creates a drug that turns men into unstoppable beasts the government will stop at nothing to get it. Forced by the pressure of authority, Dr. Hall injects Jon, an unsuspecting bum, and unleashes a terror on the community. Five days in one man’s life gives him an eternity in hell when he reopened an old experiment, when he reopens… Vile 21! Made in the mid-90s by special effects veteran Mike Strain Jr., VILE 21 is an SFX tour de force of creatures, gore, stop motion, and rubber masks. VHSHITFEST is beyond excited to bring this regional obscurity to disc for the first time with a new edit transferred from the original master! Bonus Features: 1. Brand new special edition cut transferred from the original master 2. Original VHS cut 3. Audio commentary by Mike Strain Jr. 4. Audio commentary by Ronnie Sorter 5. "The Genetic Monster: The Making of Vile 21" 6. Behind the scenes 7. Bonus film: "Hotel of Terror" 8. Deleted scenes Top From the Brand Reviews Vile 21

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A thriller set during the Yom Kippur War. Israeli Prime Minister Golda Meir (Helen Mirren) must navigate overwhelming odds, a skeptical cabinet, and a complex relationship with US Secretary of State Henry Kissinger (Liev Schreiber).